BASKETBALL REAWAKENING
‘If I have seen a little further it is by standing on the shoulders of Giants’.
- Isaac Newton
‘Hey, there is some guy standing on our shoulders’.
- Giants
A 'Coffee Table Book' - a book born, first and foremost, to tell myself what I cannot see but feel deeply: the Mystery of Basketball. All I had to do was be at the edge of the court and try to give that mystery a visible face. I began searching within myself for words and visual images that could tell the hidden story - a task I once believed impossible. Even though writing may come more easily now, with age and experience, it was still incredibly difficult to give visual form to a feeling.
I wanted to amplify those quiet, private moments of intimacy - or the absence of it. I am drawn to capturing the small, subtle, seemingly insignificant moments and presenting them as grand, meaningful, and full of life. Body language, eyes alert, always focused on something just beyond the edge of the court, suggest inner life, complexity, and a world that continues even after the observer has left.
It all begins with a 'gaze' that has learned to see, even where everything seems extinguished - and from one last court visited: Mariano Comense, Como, Italy. A place layered with prejudice and preconceptions, often dismissed superficially or judged with arrogance. Yet, within this deliberate fog, a quiet voice rises: the free and stubborn cry of young people who do not inhabit the geographical margins, but the mental ones imposed by certain 'visions' of the country. And it speaks not only of one place. It tells also of many other courts scattered across the world, different and distant, yet similar in their thirst for expression, identity, and redemption.
These pages are a gesture of listening. An act of gratitude toward all those voices who, in silence, keep playing, resisting, existing. This book is an invitation to bring wisdom into the world - the kind of wisdom that listens, that sees, that knows how to break free from the fences of the mind. It speaks of the real world, the one we so often fail to notice, or choose not to see, because it lies too far from what we’ve been taught to accept as real. But none of these words, none of these insights, originate from me. Wisdom has always been here. Woven into the silent gestures and forgotten faces of countless generations - passed down, practiced, whispered, and lived by sages, both great and small. Many of them walk beside us, invisible, unheard, muted by our prejudice, blurred by the noise of the modern world. I see luminous souls moving quietly among the crowd with the grace of the ordinary. They themselves do not know how extraordinary they are. No, I do not possess wisdom. I have only tried to translate it into words simple enough for me to understand. I am merely a vessel, an interpreter for the wise. In truth, they are the real authors of this book - I am only the one who presses the keys, who prints the images, who attempts to give shape to what has always existed.
-I would like to thank the co-authors of this book - Fabio La Rosa, Riccardo Sironi, Walter Ferraioli - for their invaluable contributions and for the deep passion they bring to basketball and the street courts.
- My heartfelt thanks go to all the boys from street basketball courts I met during my travels across different countries, who gave me not only their interviews and thoughts, but above all precious fragments of their souls - intimate and authentic expressions that I have had the honor to preserve and share within the pages of this book - you were there, even in silence.
- Thank you to Gus Andy, whose eye turned fleeting moments into lasting echoes. Your photographs gave form to the invisible.
- I am also deeply grateful to all the ‘great’ coaches I have encountered along my path, from whom I have learned not only technical knowledge, but also spiritual understanding - practices of meditation, breathing, and inner stillness.
- Last but not least, I am thankful to the friends who took the time to read through my early drafts in their entirety and offered many useful suggestions, including ...
To all of them - and to those unnamed voices, gestures, and presences that silently shaped this journey - my heartfelt thanks.This book exists because of you. It carries many hands and hearts.
Even reading is a gesture that reveals who we are. Some pass through a book as they pass through life: rushing, touching nothing. And then there are those who pause, watch and listen. This book does not seek attention: it deserves it. It was not made to entertain, but to be inhabited — like a playground under the sun.
This is not a book about basketball. It is a book about the things we whisper on the court when no one is listening. There are silences that teach. The asphalt knows every story. Effort writes them. The heart remembers them.
On the cover, a worn pencil rests on the parquet. Not a pen, not something indelible: a pencil. Stories born on outdoor courts are not meant to be carved in stone - they are lived. They are fragile, like marks that can be erased by those who watch without understanding, by those who observe without listening. Yet, for those who have truly inhabited those courts, nothing ever truly disappears: every step leaves an echo, every breath a contour, every attempt a trace. And time, passing by, erases nothing: it sharpens the questions, deepens the memories, and makes the moments we didn’t understand while living them all the more precious.
A court does not judge. It welcomes. It holds the sound of sneakers, the hidden laughter, the mistakes no one saw, the attempts we didn’t have the courage to tell. It is there that fear and courage intertwine, doubt and discovery collide. It is there that we learn who we truly are, even before realizing we were learning it.
This book is born from those steps, those breaths, those questions left suspended in the evening air. It does not recount the game: it recounts what the game reveals.
I remember my first moment on the USA basketball courts: the feeling of awe I experienced then was indescribable. I found myself in a new world, almost alien, yet it made me appreciate even the small things in everyday life. I met people I probably never would have known. I lived endless days rich with experiences. It was there I understood how life takes shape based on how you look at it. I met people with incredible stories who made me realize how often our limits are just self-imposed because we know nothing else or don't give ourselves the opportunity to discover more. Ultimately, what seems impossible is only what we haven't truly tried yet.
I was looking for adventure, radical change, and the challenge of adapting to a completely different environment, but the challenge wasn't just adapting; it was also about being accepted and becoming part of such an exceptional place. 'Basketball' in Italy has written and unwritten rules, conventions, and practices held 'in being' by people, 'laws, rules of the game, and a governing body.' I felt I had to 'paint between the lines' to change things, to celebrate basketball and bring it out of the shadow of 'conventional duty.' But I was worried about what other coaches and trainers would think if I went against the established way of doing things. So I moved to the margins of conventional basketball. Sometimes, to stay true to yourself, you have to choose to be on the sidelines.
I started working in action and adventure basketball, a frontier where it seemed the rules were still being written. I'm not running from something; rather, I'm searching for something. I'm always looking for new experiences. The world is too big to always stay in one's comfort zone. Putting yourself out there is essential for discovering your limits. Only by living uncertainty do we learn to recognize what truly matters. The basketball process should be observed as one observes the canvas of a painting not yet painted. One who observes a finished painting doesn't focus on the warp of the canvas but on shapes, colors, perspectives. They are drawn in by the suggestions between chromatic and formal combinations offered by the painter, by the visual story that lives within the painting. But any vision without support - not just the canvas, even if it were air -would be impossible. Every vision needs a foothold. Even freedom needs a point of support. With this work, I want to tell not just about basketball but about man, his emotional organization. I want to tell, for example, that our intimate and relational experiences unfold one step at a time. They can certainly blend into each other, but we cannot experience them simultaneously. I want to show their power as a weakness and their weakness as a power, aiming to dismantle the simplistic binaries that dominate public discourse. An example? The fear of not being accepted, a weakness, can become the strength to find your own path on the sidelines.
My approach is not to dictate the interpretation to the reader but to provoke thought and introspection on the complexities of identity and human connection.
Rarely exhibited portraits.
The 'gold' of Basketball.